Therefore, most of the light in the
universe are invisible to our eyes!
With this scientific fact in hand,
American author Anthony Doerr wrote All the Light We Cannot See,
a historical fiction novel set in World War II. This novel won the
2015 Pulitzer Price for Fiction. The book's title is a metaphorical
suggestion that there are still countless stories buried in World War
II. Stories of ordinary children, for examples, are also a kind of
light that we cannot see.
In this book, the “light that we
cannot see” come from the stories of two young people, stories of a
french girl and a German boy.
The French girl's name was Marie-Laure.
She lived in Paris with her father, who was a skillful locksmith
working at the Museum of Natural History. Blindness stripped
Marie-Lurie of her eyesight when she reached six years of age. When
Marie-Laure was 12, Nazi Germany invaded France and took over Paris.
The father-daughter duo fled from Paris to a city by the sea, a city
called Saint-Malo. In this walled city lived Maurie-Laure's great
uncle. In their baggage, Marie-Larue and her father carried a
priceless but dangerous jewel.
The German boy's name was Werner, who,
with his younger sister, grew up in an orphanage. Werner and his
sister became spellbound by a radio they discovered. Werner, inspired
by the marvels he felt for the radio, self-taught and learned extraordinary
technical knowledge, ultimately winning him a place in Hitler Youth.
From there, a path opened in front of Werner and brought his life to
intertwine with Marie-Laure's own.
I like All the Light We Cannot See.
This novel moved me deeply, because its struck me with a beautiful
story and its powerful imagery. I have always wondered what it was
like to live in a time period as turbulent as World War II. This
book's superb worldbuilding took me into this era with dynamic
descriptions for smell, sight, hearing and touch. Every sentence in
this novel is wonderfully written, and I thought there is a lyrical
quality to Anthony Doerr's prose.
This book is wonderfully written, but
it is also very easy to read. Anthony Doerr made excellent use of
short chapter. Every chapter in this book counts between two to five
pages at the maximum. This format increases the pace of the book by
reducing the downtime in the story. Furthermore, Anthony Doerr closed
every chapter brilliantly. I was really impressed by how well the
author ended every chapter.
I do, however, have a small complaint
about the writings in this book. That is, I thought the author
over-described certain scenes and sometimes he went into too much
detail. In other words, I would describe some places in this book as
“adjective galore”. Having said this, I am pretty sure my
complaint is a matter of personal taste. What doesn't work
for me often works for someone else. I believe there are many readers
out there who appreciate detailed descriptions in the writings of a
book.
Good characterization often accompanies
a good story. All the Light We Cannot See has a very strong
characterization. Although the book features two major characters,
Marie-Laure and Werner, but through their eyes, the story also took
readers to explore the lives of other people surrounding Marie-Laure
and Werner, for those people too, are ordinary individuals whose
stories were buried under the big event of World War II, the light we
cannot see, but finally meeting the readers as Marie-Laure and
Werner's stories are being told.
My favorite aspect of this book is that
every character feels realistic and natural. In All the Light We
Cannot See, no character bears qualities of caricatures such as a
hero or a villain. The author carefully depicted each character and
exploring the circumstances they were in, and the choices they made,
as real humans living in a hard time. The characters in this book showed depth because as readers, we understand how these stories could have
been our own, if we had been placed under the same circumstances as
them.
At this point, I need to mention that
All the Light We Cannot See uses an unusual style of
exposition to narrate its story, one that may take time for some
readers to become familiar with. This book follows the stories of
Marie-Laure and Werner, two individuals who only shared commonalities
because their lives were impacted by the same major events. Their
stories, however, do not unfold chronologically in this book. In
fact, the narratives tend to jump back and forth on the time line.
For example, one section of the book may took place in 1944, but the
next section would suddenly flash back to 1941. Having said this,
when I was reading this book, I did not loose track of the story
because it is easy to follow. But I think would-be readers should be
aware of it.
The merit for All the Light We
Cannot See does not end at the good writings and its memorable
characters. Personally, I think the true merit for this book is how
its metaphorical meaning calls me to reflect on the way I interact
with my surrounding. Perhaps I spent too much of my time focusing on
only a small portion of what is out there; people and things that I
may have caught glimpses of but have not seen.
All the Light We cannot See is a
very good novel. I highly recommend this book.
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