How will you describe WWII and those
who were involved in it?
If you were raised and living in
the west, then the answers are most likely to be something about the
Allied and the Axis forces; such as the nuclear bombings in Japan,
the Battle of Britain, the Nazi concentration camps, or the Normandy
landings. You might even supplement your descriptions with Hollywood
productions, like Saving Private Ryan, Schindler's List, and Dunkirk. But if I ask you to describe what was
happening in the other parts of the world during WWII, such as in
China, for example, then the chances are you have a very vague idea
of what was happening over there.
In some Asian countries, such as
Taiwan, their history classes are teaching both the West and the East's
roles in starting and ending WWII, including the historical contexts
and the build up to WWII and its aftermath. However in the western
history class, we learn about WWII mostly from the western
perspective only. If the purpose of studying history is to learn from
humanity's past so we can better understand ourselves and each other,
then it seems in the west we are learning from only half of the
picture instead of the full one. May I suggest, perhaps this is one
of the reasons why the 21st century geopolitics remains a
minefield despite the universal desire for peace.
It seems more discussions are needed in
this area.
Popular culture is a good way of
getting people to think and discuss an issue, and this is where poets
and artists can lead the way. Perhaps this is why a young Chinese
American author, R.F. Kuang, chose to write a grimdark fantasy novel
inspired by the (second) Sino-Japanese War and the Nanjing Massacre.
The book is called, The Poppy War, and it has generated a great deal of buzz since its release in 2018. A quick search for The
Poppy War on Youtube can return dozens of positive reviews. In fact, this book appeared on my radar because dozens of
booktubers have recommended it. The Poppy War thoroughly
entertained me, but upon further reflections I also realized its
cultural significance.
Synopsis:
Rin had two choices in life; she could
either fulfill her guardians' wish and marry a merchant thrice her
age, or she could get out of servitude and despair by climbing
the ladder of meritocracy. When the exam results were announced Rin
surprised everyone. Not only did she pass the exam, but she scored
the highest mark in the Rooster Province, which meant a ticket to the
most prestigious academy in the empire – Singegard.
And so Rin arrived at the empire's
capital city with hopes and dreams, only to find herself becoming a
target of discrimination by her classmates and teachers, all because
she is a dark-skinned peasant girl from the south. For Rin, though,
acing the academy is the only way forward, because the alternative is
going back to her hometown and fulfill the arranged marriage.
Therefore Rin worked hard at the academy, and in the process she
discovered she has a talent for the mythical art of shamanism, which
was as dangerous as it was unearthly.
The third Poppy War broke out when the federation of Murgen
resumed their invasion of Rin's country. Rin had a tough decision to make: her shamanic power could save her country and her people, but it would cost her humanity and perhaps even more, so should she do it?
My thoughts on this book:
The Poppy War is an impressive
book. There is no mistake this book is grimdark. The story is
very violent. Chapter 21 contains graphic depictions of genocide,
from wholesale slaughter, beheadings, rapes, human experimentations,
infanticides, so on and so forth. Whatever horror and suffering the
mankind is capable of imaging and inflicting on their fellows, this
book has it. But here is the thing, the genocide in this book is not
entirely fictitious but a close description for the Nanjing Massacre
which took place in 1937. But what happened in the real event was far
more brutal and horrendous than its "fantasy" counterpart.
At this point, some readers may protest
against the inclusion of heavy and graphic violence. However, the
violence here is not gratiduous entertainment, nor is it used for the
purpose of shocking its reader. No, the violence in The Poppy War
serves a purpose - to show the readers what it is like to be the
surviving victims of a genocide. It is to show its readers the depth
of sorrow and hatred felt by the surviving victims in
the aftermath. The book described those feeling so well and it let me share the characters' emotional journeys. I was able to feel what they felt.
The Poppy War is not content to
stop here and simply let us grieve with its characters. Instead this book went deeper to explore more questions.
Is it justified for one to repay a
genocide with another genocide?
And how does one become a person
capable of killing millions? How does such as person go from point A,
to point B?
I leave the readers to discover the
story and the answers for themselves. Despite its heavy themes,
The Poppy War does not forget it is fantasy fiction and that it should be interesting and fun to read. Characterization and
worldbuilding can both make or break a fantasy novel. I already
stamped my approval on characterizations, so what about the
worldbuilding in this book? Most English fantasy novels are set in
the pseudo medieval European world, but The Poppy War is set
in the puesto late 19th century China, so is the
worldbuilding here convincing?
The answer to that question is a
resounding, yes. The worldbuilding in The Poppy War also has
my stamp of approval. The author pulled from classical Chinese
literatures and culture into her worldbuilding, to create a world
which feels like a real and authentic version of the late 19th
century China. I believe western readers may find The Poppy War a
refreshing change from the pseudo European setting which have been
rehashed to death in the English fantasy literatures. However, the
author embedded so many references to the Chinese culture and she
left plentiful of easter eggs and I am not sure the western readers
can spot them all. Here are a few examples:
Rin's teacher, Jiang Ziya, is a
direct reference to the famous chancellor of the same name, who
helped King Zhou to overthrow the tyrannical king Shiang in the 11th
century BC.
Two supporting characters, Baji
and Suni, are from the Chinese classic novel, Journey to the West.
The Keju examination system in
this book is a very accurate portrayal of the Confucian meritocracy
system in ancient and medieval China.
In the book, a character called
Kitay discussed a military strategy about "borrowing"
arrows from the enemy by sailing boats full of strawmen into the
enemy terrority on a misty night and get the enemy shooting arrows
at them, this is a direct reference from a Chinese classical novel
called Romance of the Three Kingdoms.
Those are a few examples, but there are
more easter eggs and cultural references in the book and they may be
difficult to spot by western readers who are not familiar with the
Chinese culture and classical literatures. This is why I believe the
author could have helped her western readers by including footnotes in the book. Otherwise the world in The
Poppy War feels as real and authentic to the medieval Chinese
culture as Tolkien's Middle Earth feels real and authentic to the
medieval English and Nordic culture. The great worldbuilding and the
compelling characters made this book a blast to read, and there is no
doubt this is one of the finest fantasy books of 2018. It is even
more impressive considering it is a debut. Despite my praises,
however, I do think The Poppy
War has one tiny problem.
What is the problem? The Poppy War felt disjointed in the middle. The book's
first half narrated Rin's life in the military academy, and the story
introduced us to a host of supporting characters, such as Rin's
teachers and classmates. Then about half way into the book (minor
spoiler ahead), the war broke out, forcing Rin to graduate prematurely
from the academy and joining a squad of imperial assassins, and over
here we are suddenly introduced to another host of new supporting
characters, leaving the supporting characters from the first half
undeveloped and off-stage until much later on. I thought the
transition, from the first half of the book into the second half, was
not well handled. As a result the narratives did not feel cohesive
and the pace slowed in the middle, it made me feel like I was reading
two separate but very good books rather than one excellent and
cohesive novel.
The seamed transition at mid book,
however, is but a very small flaw. On the whole, The Poppy War
tells a compelling story, with deeply flawed but likable characters.
The worldbuilding is masterful and it will surely be refreshing to
the western eyes. Furthermore, the book's connection to the
Sino-Japanese war and the Nanjing Massacre serves as a sombre
reminder of humanity's cruel tendencies to each other, but it is also
culturally significant considering it is a part of the WW2 history
not well known by the populace in the West. The Poppy War has my
recommendation. R.F. Kuang is grimdark's new and proud daughter, and
I cannot wait to read her next book.
P.S. If you are a sensitive reader,
then before you pick up this book you may want to check out the
trigger warnings from the author
herself.
https://rfkuang.com/2018/05/13/on-the-necessity-of-brutality-why-i-went-there/