Most fantasy novels are set in pseudo
medieval worlds, where the level of technology remains static for
thousands of years. In a conventional fantasy novel, despite its
world being inhibited by intelligent people, but the warriors never
progress beyond fighting with swords and arrows, and its people never
illuminate their homes with anything other than candles. Why is that?
Is it because having supernatural powers, such as magic, makes
everyday life too easy, thereby dissolving the spirit of scientific
progress and technological innovation?
The fantasy genre, however, has been
evolving in the recent years. Modern fantasy novelists are beginning
to challenge the genre's trope, and depicting the interlock between
magic and technology as a dynamic relationship. For example, in
Sir Terry Pratchett's Discworld stories, the advancing
technology often led to major changes to Discworld's culture and
tradition.
Inevitably, the attempt to
revolutionize the fantasy genre brings some interesting questions to
the surface:
- In a fantasy world, how would supernatural powers, such as magic, interact with the laws of physics?
- How would supernatural powers, such as magic, impact the technological progress in a fantasy world?
Best-selling novelist Brandon Sanderson
does not believe the fantasy world should remain static. In The
Alloy of Law, the 4th novel in the famous Mistborn
series, Sanderson told a ground-breaking story, of a fantasy world at
the onset of a 19th century styled, Industrial Revolution.
Synopsis:
Three hundred years has disappeared in the river of time since
the Age of Heroes. Scadrial is stepping into a new era; a time of
railroads, electricity, street lights and towering skyscrapers. In
Elendal, the capital city, under the flourishing city hubs and
buzzing streets lies a social tension, strut tight by the increasing
disparity between the classes, the rich and the poor.
Here enters Lord Waxillum, AKA Wax, a
law keeper and an allomancer, from the dusty Roughs, who returned to
his noble heritage in Elendel after a personal tragedy. Instead of
finding a peaceful retirement from policing works, however, Wax
discovered a wisdom - always keep his gun and allomancy powers
ready in the hostler...
My thoughts on this book:
Bradon Sanderson intended The Alloy
of Law to serve as a bridge, connecting the original Mistborn
trilogy (set in a medieval world) to his new trilogy (set in a world
resembling the 19th century). Two books from his new
trilogy, book 5 and 6, respectively titled, Shadows of Self
and The Bands of Mourning, have already been published.
What does this mean? I am reading this
series out of its chronological order! I have already read Shadows
of Self and The Bands of Mourning, and now I am returning
to The Alloy of Law (book 4). Yep, I am jumping back and forth
in this series, but has it impacted my perception for The Alloy of
Law? To be honest, not much impact at all. This is because The
Alloy of Law meant to tell a stand alone story. While this book's
ending did leave room for the next book, but at its conclusion, this
book also resolved most of its plots. However, if you have an
interest in reading Sanderson's new Mistborn series, then I
would strongly recommend that you start from The Alloy of Law.
Do not read the series out of its chronological order like I did.
Why? Because the latter books are extensions from the central plot in
this book. If you read The
Alloy of Law first, then it will help you at better
appreciating book 5 and 6.
Now the question about chronology is
out of the way, let me start to discuss the quality of this book. Is
The Alloy of Law any good? In short, I like this book more
than the original Mistborn trilogy, but I also think the
original Misborn trilogy did something better than this book.
The Alloy of Law attracted me
with its fascinating world. This is a fantasy world where technology
thrives alongside magic. Make no mistake, the theme of this book is
NOT pitting technology against magic. No, The Alloy of Law
draws a reader with its wonderful worldbuilding. Especially,
Sanderon's interesting magic system, one that integrates magic with
the laws of physics. For example, the protagonist in this book, Wax,
has the magical power to push all types of metals except aluminum.
But when he pushes on metals, a reactionary force pushes back at him
(Newton's 3rd law applies here). In other words, although
Wax's magical power makes him a superhuman, but his power is still
abiding to the laws of physics. Sanderson's magic system eliminates
the damning trope in most fantasy novels, where magic solves
everything. Instead, in Sanderson's books, when a character uses
magic without considering the laws of physics, it could backfire on
him/her.
Other than offering an interesting
magic system, The Alloy of Law also features a dynamic,
vividly portrayed world. The story is set in a time and place bearing
resemblance to the 19th century, where technology's rapid
progress also introduced social problems, such as class distinctions
and the disparity between the rich and the poor. In fact, class
distinction and social tension, set the main theme in this book.
Sanderson used this this theme to drive the book's narratives, in the
style of a detective fiction. That is right! The Alloy of Law
is a hybrid between high fantasy and detective fictions. If you like
both of these genres, then you will probably enjoy this book
immensely.
So the worldbuilding in The Alloy of
Law is superb, but what about its character developments? When it
comes to characters, I think The Alloy of Law shows some minor
signs of weakness. Ok, look, the characters in this book are
memorable and likable. From the protagonist, supporting characters,
to the villain, each character is unique and interesting enough to
leave an impression on your mind. However, I couldn't help but
feeling that the book could be even better, if the story had gone an
extra mile by exploring the characters a bit more. Having said this,
The Alloy of Law is a short book, so it has a limited space
for exploring the characters. Perhaps Sanderson intentionally kept
this book short because it was an experiment, a novel bridging the
old trilogy to the new one. Having read the latter installments in
the series, I can say the sequels did explore the characters in
greater depth.
I also shared a slight dissatisfaction with this book's pace. This
story beats with thrills and wonders, but it beats at an uneven
rhythm. The first act in the book flowed very nicely; it established
Sanderson's wonderful vision for Elendel, and it also mounted the
suspense for the story. When the stage for the second act unveiled,
the story dipped in its momentum. In the third and final act, the
adventure finally picked up its pace, and Sanderson thundered the
story with actions, left, right and centre. In other words, the
explosive actions in the third act was the climax of the story, and
it was fun and entertaining. But towards the end of it, I felt a
bit... burnt out, from reading too many action scenes. Why? Because
Sanderson's action scenes, while masterfully written, but it is often
too drawn out.
The Alloy of
Law provides an excellent transition from the original Mistborn
trilogy to the new one. This book might have a few weaknesses
here and there, but its worldbuilding, its concept, are revolutionary
and admirable. Personally, I prefer the new Mistborn trilogy
to the original one, and I believe The Alloy of Law is a fine
entry point to Sanderson's wonderful adventures. If you want to read
a fantasy novel that challenges the genre's convention, then you
might want to check out this book.
Until the next
time, happy reading!